Can no longer separate sex from sin
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I always go looking for what I can do for him. That's why I go, otherwise I wouldn't. Looking for what I can do for him doesn't mean I have to be happy about it.
In fact I don't like volunteering most of the time, but I force myself to do it because that's what Christians do. What I like is irrelevant. I'm just here to be a robot and serve everyone else.
In fact I don't like volunteering most of the time, but I force myself to do it because that's what Christians do. What I like is irrelevant. I'm just here to be a robot and serve everyone else.
Lol..im sure God doesnt want you to think of Him as an obligation..find another church..you might be pleasantly surprised how much of a difference that can make 
And like I said, I've only known and experienced love as fulfilling obligations to my loved ones. Feelings are irrelevant.
Problem is, in America, talent no longer matters. It costs $500,000 to break a new act into the industry, not to mention it's incredibly risky. So the industry just finds a pretty face that may have sung a couple times before on a contest, even if they weren't that good. Then they literally force you to like their music by having it played everywhere. I'm not making this up.
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I can give you 7 things Japanese music does way better than American music does nowadays.
1. In Japan, melody comes first
Americans have gotten really sloppy in creating melodies. I've heard from someone who knows music theory really well, and they said that a lot of Japanese music is much more complex and sounds more interesting than most American songs nowadays do. One Japanese song can have enough melodies to make up three American songs. Even better, they actually sound good. And the fact that they can make this music commercially marketable is pretty impressive.
1. In Japan, melody comes first
Americans have gotten really sloppy in creating melodies. I've heard from someone who knows music theory really well, and they said that a lot of Japanese music is much more complex and sounds more interesting than most American songs nowadays do. One Japanese song can have enough melodies to make up three American songs. Even better, they actually sound good. And the fact that they can make this music commercially marketable is pretty impressive.
That's fine. Everyone has different taste. I actually don't mind some autotune if it fits the song. In Japan, autotune, when it's called for, is believed to make a song better. And I've heard these girls sing live, they sound just as good.
That's another thing.
2. More Depth and Layers
There is something to be said for a song that can be a strong, memorable song without being difficult to play or sing. However, I believe in the Western World we take this idea of simplicity in our music a bit too far. Yes, it is true that simplistic melodies based on several short motifs will often have good results. But this shouldn’t give us an excuse to restrict our musical creativity to the point where we start cutting necessary layers from the song.
I think we generally stick to fewer layers in our music here in the U.S. and Europe for a couple different reasons. First of all, we (for the most part, correctly) identify that our audience enjoys a simple, easy to follow recording. Secondly, it’s just easier and less time consuming. The flaw I see with this reasoning is that while making our melodies and rhythms easy to follow in popular music makes sense, I don’t think we should cut out on the layers. Nobody likes a thin, empty sound in a recording they paid money for. Simply put, if I can count the number of audible layers on one hand there is probably room for more.
That's another thing.
2. More Depth and Layers
There is something to be said for a song that can be a strong, memorable song without being difficult to play or sing. However, I believe in the Western World we take this idea of simplicity in our music a bit too far. Yes, it is true that simplistic melodies based on several short motifs will often have good results. But this shouldn’t give us an excuse to restrict our musical creativity to the point where we start cutting necessary layers from the song.
I think we generally stick to fewer layers in our music here in the U.S. and Europe for a couple different reasons. First of all, we (for the most part, correctly) identify that our audience enjoys a simple, easy to follow recording. Secondly, it’s just easier and less time consuming. The flaw I see with this reasoning is that while making our melodies and rhythms easy to follow in popular music makes sense, I don’t think we should cut out on the layers. Nobody likes a thin, empty sound in a recording they paid money for. Simply put, if I can count the number of audible layers on one hand there is probably room for more.