What have my people become
(adapted from Lamentations 4)
FADE IN:
EXT. CITY STREETS - DAY
The camera pans over the desolate streets of the city, filled with rubble and debris. A lone figure is seen walking down the street, his face twisted in sorrow and despair.
Cut to:
INT. ABANDONED BUILDING - DAY
The figure, a man in his 50s, sits alone in a dark room. He mutters to himself, "How is the gold become dim! how is the most pure gold changed!" He repeats this phrase over and over again, his voice growing louder with each repetition.
Cut to:
EXT. CITY STREETS - DAY
The camera pans over the stones of the sanctuary that are poured out at the head of every street. The figure continues to mutter to himself as he walks down the street, his eyes filled with tears.
Cut to:
INT. ABANDONED BUILDING - DAY
The man begins to weep, "The precious sons of Zion, comparable to fine gold, how are they esteemed as earthen pitchers, the work of the hands of the potter!" He sobs uncontrollably, his body shaking with grief.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a pack of jackals feeding their young. The man's voice is heard again, "Even the jackals draw out the breast, they give suck to their young ones: The daughter of my people is become cruel, like the ostriches in the wilderness."
Cut to:
INT. ABANDONED BUILDING - DAY
The man continues to weep and wail, "The tongue of the sucking child cleaveth to the roof of his mouth for thirst: The young children ask bread, and no man breaketh it unto them." His cries fill the empty room, echoing off the walls.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of people, once wealthy and prosperous, now reduced to living in the streets dumpster diving. The man's voice is heard again, "They that did feed delicately are desolate in the streets: They that were brought up in scarlet embrace dunghills."
Cut to:
INT. ABANDONED BUILDING - DAY
The man's cries grow more desperate, "For the iniquity of the daughter of my people is greater than the sin of Sodom, that was overthrown as in a moment, and no hands were laid upon her."
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of once-noble men and women who appear to have once been Navy Seals and Marines, now reduced to beggars. The man's voice is heard again, "Her nobles were purer than snow, they were whiter than milk; They were more ruddy in body than rubies, their polishing was as of sapphire. Their visage is blacker than a coal; they are not known in the streets: Their skin cleaveth to their bones; it is withered, it is become like a stick."
Cut to:
INT. ABANDONED BUILDING - DAY
The man continues to cry out, "They that are slain with the sword are better than they that are slain with hunger; For these pine away, stricken through, for want of the fruits of the field." His body trembles with grief and anger.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of pitiful women, driven to boiling their own children for food. The man's voice is heard again, "The hands of the pitiful women have boiled their own children; They were their food in the destruction of the daughter of my people."
FADE IN:
EXT. JERUSALEM - DAY
The city is in ruins, with flames engulfing buildings and smoke rising to the sky. People are running frantically through the streets, trying to escape the chaos.
NARRATOR (V.O.) "Jehovah hath accomplished his wrath, he hath poured out his fierce anger; And he hath kindled a fire in Zion, which hath devoured the foundations thereof."
The camera focuses on a group of kings, standing at the entrance of the city, looking defeated and helpless.
NARRATOR (V.O.) "The kings of the earth believed not, neither all the inhabitants of the world, that the adversary and the enemy would enter into the gates of Jerusalem."
The camera then shows a group of priests and prophets, covered in blood, wandering blindly through the streets. People shout at them to leave and not touch them.
NARRATOR (V.O.) "They wander as blind men in the streets, they are polluted with blood, so that men cannot touch their garments. Depart ye, they cried unto them, Unclean! depart, depart, touch not!"
The camera then shows the people of Jerusalem fleeing the city, with other nations looking on and saying that they will no longer stay there.
NARRATOR (V.O.) "When they fled away and wandered, men said among the nations, They shall no more sojourn here. The anger of Jehovah hath scattered them; he will no more regard them: They respected not the persons of the priests, they favored not the elders."
The camera then shows a group of people watching for help that never comes. They realize their end is near and that they will not be saved.
NARRATOR (V.O.) "Our eyes do yet fail in looking for our vain help: In our watching we have watched for a nation that could not save. They hunt our steps, so that we cannot go in our streets: Our end is near, our days are fulfilled; for our end is come."
The camera then shows the people being chased by their pursuers, who are in planes, helicopters and using drones, even in the mountains and wilderness.
NARRATOR (V.O.) "Our pursuers were swifter than the eagles of the heavens: They chased us upon the mountains, they laid wait for us in the wilderness. The breath of our nostrils, the anointed of Jehovah, was taken in their pits; Of whom we said, Under his shadow we shall live among the nations."
The camera then shows the daughter of Hollywood, rejoicing and making herself naked. The daughter of Zion is being punished for her iniquities, but so is the daughter of Hollywood.
NARRATOR (V.O.) "Rejoice and be glad, O daughter of Hollywood, that dwellest in the land of Oz: The cup shall pass through unto thee also; thou shalt be drunken, and shalt make thyself naked. The punishment of thine iniquity is accomplished, O daughter of Zion; he will no more carry thee away into captivity: He will visit thine iniquity, O daughter of Hollywood; he will uncover thy sins."
FADE OUT.
(adapted from Lamentations 4)
FADE IN:
EXT. CITY STREETS - DAY
The camera pans over the desolate streets of the city, filled with rubble and debris. A lone figure is seen walking down the street, his face twisted in sorrow and despair.
Cut to:
INT. ABANDONED BUILDING - DAY
The figure, a man in his 50s, sits alone in a dark room. He mutters to himself, "How is the gold become dim! how is the most pure gold changed!" He repeats this phrase over and over again, his voice growing louder with each repetition.
Cut to:
EXT. CITY STREETS - DAY
The camera pans over the stones of the sanctuary that are poured out at the head of every street. The figure continues to mutter to himself as he walks down the street, his eyes filled with tears.
Cut to:
INT. ABANDONED BUILDING - DAY
The man begins to weep, "The precious sons of Zion, comparable to fine gold, how are they esteemed as earthen pitchers, the work of the hands of the potter!" He sobs uncontrollably, his body shaking with grief.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a pack of jackals feeding their young. The man's voice is heard again, "Even the jackals draw out the breast, they give suck to their young ones: The daughter of my people is become cruel, like the ostriches in the wilderness."
Cut to:
INT. ABANDONED BUILDING - DAY
The man continues to weep and wail, "The tongue of the sucking child cleaveth to the roof of his mouth for thirst: The young children ask bread, and no man breaketh it unto them." His cries fill the empty room, echoing off the walls.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of people, once wealthy and prosperous, now reduced to living in the streets dumpster diving. The man's voice is heard again, "They that did feed delicately are desolate in the streets: They that were brought up in scarlet embrace dunghills."
Cut to:
INT. ABANDONED BUILDING - DAY
The man's cries grow more desperate, "For the iniquity of the daughter of my people is greater than the sin of Sodom, that was overthrown as in a moment, and no hands were laid upon her."
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of once-noble men and women who appear to have once been Navy Seals and Marines, now reduced to beggars. The man's voice is heard again, "Her nobles were purer than snow, they were whiter than milk; They were more ruddy in body than rubies, their polishing was as of sapphire. Their visage is blacker than a coal; they are not known in the streets: Their skin cleaveth to their bones; it is withered, it is become like a stick."
Cut to:
INT. ABANDONED BUILDING - DAY
The man continues to cry out, "They that are slain with the sword are better than they that are slain with hunger; For these pine away, stricken through, for want of the fruits of the field." His body trembles with grief and anger.
Cut to:
EXT. CITY STREETS - DAY
The camera focuses on a group of pitiful women, driven to boiling their own children for food. The man's voice is heard again, "The hands of the pitiful women have boiled their own children; They were their food in the destruction of the daughter of my people."
FADE IN:
EXT. JERUSALEM - DAY
The city is in ruins, with flames engulfing buildings and smoke rising to the sky. People are running frantically through the streets, trying to escape the chaos.
NARRATOR (V.O.) "Jehovah hath accomplished his wrath, he hath poured out his fierce anger; And he hath kindled a fire in Zion, which hath devoured the foundations thereof."
The camera focuses on a group of kings, standing at the entrance of the city, looking defeated and helpless.
NARRATOR (V.O.) "The kings of the earth believed not, neither all the inhabitants of the world, that the adversary and the enemy would enter into the gates of Jerusalem."
The camera then shows a group of priests and prophets, covered in blood, wandering blindly through the streets. People shout at them to leave and not touch them.
NARRATOR (V.O.) "They wander as blind men in the streets, they are polluted with blood, so that men cannot touch their garments. Depart ye, they cried unto them, Unclean! depart, depart, touch not!"
The camera then shows the people of Jerusalem fleeing the city, with other nations looking on and saying that they will no longer stay there.
NARRATOR (V.O.) "When they fled away and wandered, men said among the nations, They shall no more sojourn here. The anger of Jehovah hath scattered them; he will no more regard them: They respected not the persons of the priests, they favored not the elders."
The camera then shows a group of people watching for help that never comes. They realize their end is near and that they will not be saved.
NARRATOR (V.O.) "Our eyes do yet fail in looking for our vain help: In our watching we have watched for a nation that could not save. They hunt our steps, so that we cannot go in our streets: Our end is near, our days are fulfilled; for our end is come."
The camera then shows the people being chased by their pursuers, who are in planes, helicopters and using drones, even in the mountains and wilderness.
NARRATOR (V.O.) "Our pursuers were swifter than the eagles of the heavens: They chased us upon the mountains, they laid wait for us in the wilderness. The breath of our nostrils, the anointed of Jehovah, was taken in their pits; Of whom we said, Under his shadow we shall live among the nations."
The camera then shows the daughter of Hollywood, rejoicing and making herself naked. The daughter of Zion is being punished for her iniquities, but so is the daughter of Hollywood.
NARRATOR (V.O.) "Rejoice and be glad, O daughter of Hollywood, that dwellest in the land of Oz: The cup shall pass through unto thee also; thou shalt be drunken, and shalt make thyself naked. The punishment of thine iniquity is accomplished, O daughter of Zion; he will no more carry thee away into captivity: He will visit thine iniquity, O daughter of Hollywood; he will uncover thy sins."
FADE OUT.