I took my daughter to the Kennedy Center last night to see the latest Broadway production of 'My Fair Lady'...
And While I found the show amazing, the ending had a subtle twist/ending that completely caught me off guard...
‘My Fair Lady’ Finally Gets Its #MeToo Ending. Somewhere, George Bernard Shaw Is Applauding
My Fair Lady, American musical film, released in 1964, that was adapted from the long-running Broadway musical of the same name and proved to be a great popular and critical success. The movie, which starred Rex Harrison and Audrey Hepburn, won eight Academy Awards, including that for best picture.
This review contains spoilers. If you don’t want to know what happens at the end of this new production of My Fair Lady, stop reading now.
The majestic My Fair Lady has been given a #MeToo makeover. Or, more accurately, it has reclaimed the ending that George Bernard Shaw intended for Pygmalion, the play it is based on, in 1913.
The “happy” ending that producers would try to fix to Pygmalion, and which My Fair Lady—originally staged in 1956—enshrined, with Eliza and Higgins together, has been jettisoned.
You can read the review linked above (with Spoiler Alert) to understand the touted rationale for the ending...
I love taking my daughter to the Theater as she is a budding Musical Theater Major at GMU and she is simply a brilliant genius when it comes to discussing and dissecting the inner working theater, plays, movies plots, characters etc...
While I acknowledge the absolute value of Eliza learning to stand alone as her new found independent woman... I felt that the ending had fallen flat on two or three fronts as it involves relationships...
1 - The show emphasizes her toxic relationship with her father, only to lead us almost tease us that by the end of the movie both her and her father have shown so much growth and maturing as people - that we are still left hanging... At the end he offers her an olive branch invitation to his upcoming wedding - only to be denied... There is no closer between this father daughter relationship...
2 - Freddy is the poor guy that falls madly in love with her as he is genuinely taken by her unique spirit and personality... He hopelessly sings, writes and attempts to whew her... to no avail... As it would seem that her heart is set on ultimately earning Professor Higgins approval and respect...
3 - Of course Professor Higgins is a pompous arrogant personality that does not completely appreciate and respect Eliza as a woman until she has run away... He seems to show tremendous growth potential - in having learned his lesson...
In the 1956 Broadway production and the 1964 Movie ... As he is consoling himself, listening to tapes of her speaking lessons, she returns.
Only in this new production, she returns - only to Leave as a symbol of her pursuing her independence...
So question/comments for the CC Forum to ponder and respond:
While this ending is fantastic for showcasing that people do not need to be dependent upon others, not do they have to be compelled to jump into relationships for potentially the wrong reasons...
- What does it say about the ability two people to grow and overcome their individual struggles and weaknesses in order to be able to make necessary compromises for relationships to persevere?
- In this day and age, is the Independence message a better message given the increased trend toward broken marriages and broken marriages?
- Or in this day and age, is the ability for both a man and woman to recognize their personal issues and acknowledged growth as a means to learn how to make a relationship work with mutual respect and appreciation - a more profound message that our society is in need of hearing at this time?
Note: I can certainly appreciate the @MeTooEnding reference especially given our recent discussions on narcissism and the need to exit such toxic relationships... But, we can't help but see that even Professor Higgins might just have it within him to grow as a person as well... Maybe not, maybe that is just my wishful thinking - hoping for that romantic happily ever after ending...
Thoughts?
And While I found the show amazing, the ending had a subtle twist/ending that completely caught me off guard...
‘My Fair Lady’ Finally Gets Its #MeToo Ending. Somewhere, George Bernard Shaw Is Applauding
My Fair Lady, American musical film, released in 1964, that was adapted from the long-running Broadway musical of the same name and proved to be a great popular and critical success. The movie, which starred Rex Harrison and Audrey Hepburn, won eight Academy Awards, including that for best picture.
This review contains spoilers. If you don’t want to know what happens at the end of this new production of My Fair Lady, stop reading now.
The majestic My Fair Lady has been given a #MeToo makeover. Or, more accurately, it has reclaimed the ending that George Bernard Shaw intended for Pygmalion, the play it is based on, in 1913.
The “happy” ending that producers would try to fix to Pygmalion, and which My Fair Lady—originally staged in 1956—enshrined, with Eliza and Higgins together, has been jettisoned.
You can read the review linked above (with Spoiler Alert) to understand the touted rationale for the ending...
I love taking my daughter to the Theater as she is a budding Musical Theater Major at GMU and she is simply a brilliant genius when it comes to discussing and dissecting the inner working theater, plays, movies plots, characters etc...
While I acknowledge the absolute value of Eliza learning to stand alone as her new found independent woman... I felt that the ending had fallen flat on two or three fronts as it involves relationships...
1 - The show emphasizes her toxic relationship with her father, only to lead us almost tease us that by the end of the movie both her and her father have shown so much growth and maturing as people - that we are still left hanging... At the end he offers her an olive branch invitation to his upcoming wedding - only to be denied... There is no closer between this father daughter relationship...
2 - Freddy is the poor guy that falls madly in love with her as he is genuinely taken by her unique spirit and personality... He hopelessly sings, writes and attempts to whew her... to no avail... As it would seem that her heart is set on ultimately earning Professor Higgins approval and respect...
3 - Of course Professor Higgins is a pompous arrogant personality that does not completely appreciate and respect Eliza as a woman until she has run away... He seems to show tremendous growth potential - in having learned his lesson...
In the 1956 Broadway production and the 1964 Movie ... As he is consoling himself, listening to tapes of her speaking lessons, she returns.
Only in this new production, she returns - only to Leave as a symbol of her pursuing her independence...
So question/comments for the CC Forum to ponder and respond:
While this ending is fantastic for showcasing that people do not need to be dependent upon others, not do they have to be compelled to jump into relationships for potentially the wrong reasons...
- What does it say about the ability two people to grow and overcome their individual struggles and weaknesses in order to be able to make necessary compromises for relationships to persevere?
- In this day and age, is the Independence message a better message given the increased trend toward broken marriages and broken marriages?
- Or in this day and age, is the ability for both a man and woman to recognize their personal issues and acknowledged growth as a means to learn how to make a relationship work with mutual respect and appreciation - a more profound message that our society is in need of hearing at this time?
Note: I can certainly appreciate the @MeTooEnding reference especially given our recent discussions on narcissism and the need to exit such toxic relationships... But, we can't help but see that even Professor Higgins might just have it within him to grow as a person as well... Maybe not, maybe that is just my wishful thinking - hoping for that romantic happily ever after ending...
Thoughts?
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