that's not true. you would not have source for that because it does not even exist
here is a
source for FIVE different theories about why people dye eggs
note these are all theories. just because it was done in a place for whatever purpose, does not mean it is THE source for all egg dying
and here is yet more info on it:
Numerous theories exist about why
dyeing Easter eggs is a popular tradition.
Mental Floss and the
Holiday Spot suggest various histories. While there's a strong belief dyeing eggs started as a pagan tradition, apparently the connection isn't proven. I'll share some of the ideas here.
SPRING HOLIDAYS: Easter eggs were commonly painted and dyed as a part of
holiday celebrations of the new season, and this tradition (used by Persian, Egyptian and other cultures) was adopted by Christians, weaving the practice into the celebration Jesus' resurrection.
PASSOVER CONNECTION: During Passover, hard-boiled eggs dipped in salt water are used as a symbol of new life and the continued use of the symbol in the closely connected religions makes sense.
BLOOD OF CHRIST: Since early egg dyeing was often red (with an
egg dye made of onion skins), there are myths stating the color represents the blood of Christ. One thought is that Mary brought boiled eggs to the crucifixion and Jesus' blood dripped on them, so the red dye highlights that occurrence.
This tradition may have also taken root in Mesopotamian culture.
JESUS' TOMB: A couple of histories connect the use of the egg with the tomb of Jesus. One being that the egg resembles the tomb rolled away from the tomb which led to the discovery of Jesus rising. Another idea involves Mary Magdalene visiting the tomb and upon discovering it empty, the bag of eggs she had with her turned red.
This list is by no means exhaustive, but some of the more popular theories about dyeing Easter eggs.
source
you cannot state something as fact when it so obviously is anything...anything...but fact.
Oh wow you found a random MESSAGE BOARD that gives theories... wow who needs to actually study history when there are message boards. Are you even seeking truth or just what fits what you alrady want?
The Last Two Million Years by The Reader’s Digest Association, page 215
“
Pagan rites absorbed By a stroke of tactical genius the Church, while intolerant of pagan beliefs, was able to harness the powerful emotions generated by pagan worship. Often, churches were sited where temples had stood before, and many heathen festivals were added to the Christian calendar.
Easter, for instance, a time of sacrifice and rebirth in the Christian year, takes its name from the Norse goddess Eostre, in whose honor rites were held every spring. She in turn was simply a northern version of the Phoenician earth-mother Astarte, goddess of fertility. Easter eggs continue an age-old tradition in which the egg is a symbol of birth; and cakes which were eaten to mark the festivals of Astarte and Eostre were the direct ancestors of our hot-cross buns.”
Collier’s Encyclopedia, Volume 3, page 97
ASTARTE [æsta’rti], the Phoenician goddess of fertility and erotic love.
The Greek name, ‘‘Astarte’’ was derived from Semitic, ‘‘Ishtar,’’ ‘‘Ashtoreth.’’ Astarte was regarded in Classical antiquity as a moon goddess, perhaps in confusion with some other Semitic deity. In accordance with the literary traditions of the Greco-Romans, Astarte was identified with Selene and Artemis, and more often with Aphrodite. Among the Canaanites, Astarte, like her peer Anath, performed a major function as goddess of fertility. Egyptian iconography, however, portrayed Astarte in her role as a warlike goddess massacring mankind, young and old. She is represented on plaques (dated 1700-1100 b.c.) as naked, in striking contrast to the modestly garbed Egyptian goddesses. Edward J. Jurji
From The Two Babylons by Hislop, pages 20-22
The Babylonians in their popular religion, supremely worshiped a Goddess Mother, and a Son, who was represented in pictures and in images as an infant or child in his mother’s arms (Figs. 5 and 6). From Babylon, this worship of the Mother and the Child spread to the ends of the earth. In Egypt, the Mother and the Child were worshiped under the names of Isis and Osiris.* In India, even to this day, as Isi and Iswara; * in asia, as Cybele and Deoius;§ in Pagan Rome, as Fortuna and Jupiter-puer, or Jupiter, the boy;11 in Greece, as Ceres, the Great Mother, with the babe at her breast,¶ or as Irene, the goddess of Peace, with the boy Plutus in her arms; ** and even in Thibet, in China, and Japan, the Jesuit missionaries were astonished to find the counterpart of Madonna ** and her child as devoutly worshiped as in Papal Rome itself; Shing Moo, the Holy Mother in China, being represented with a child in her arms, and a glory around her, exactly as if a Roman Catholic artist had been employed to set her up.* The original of that mother, so widely worshiped, there is reason to believe, was Semiramis, * already referred to, who, it is well known, was worshiped by the Babylonians, * and other eastern nations, § and that under the name of Rhea, ||the great goddess “Mother.” It was from the son, however, that she derived all her glory and her claims to deification. That son, though represented as a child in his mother’s arms, was a person of great stature and immense bodily powers, as well as most fascinating manners. In Scripture he is referred to (Ezek. viii. 14) under the name of Tammuz, but he is commonly known among classical writers under the name of Bacchus, that is, ‘‘The lamented One.’’ ¶ To the ordinary reader the name of Bacchus suggests nothing more than revelry and drunkenness, but it is now well known, that amid all the abominations that attended his orgies, their grand design was professedly ‘‘the purification of souls,’’ * and that from the guilt and defilement of sin. This lamented one, exhibited and adored as a little child in his mother’s arms, seems, in point of fact, to have been the husband of Semiramis, whose name, Ninus, by which he is commonly known in classical history, literally signified ‘‘The Son,’’* as Semiramis, the wife, was worshiped as Rhea, whose grand distinguishing character was that of the great goddess ‘‘Mother,’’* the conjunction with her of her husband, under the name of Ninus, or ‘‘The Son,’’ was sufficient to originate the peculiar worship of the ‘‘Mother and Son,’’ so extensively diffused among the nations of antiquity; and this, no doubt, is the explanation of the fact which has so much puzzled the inquirers into ancient history, that Ninus is sometimes called the husband, and sometimes the son of Semiramis.§ This also accounts for the origin of the very same confusion of relationship between Isis and Osiris, the mother and child of the Egyptians; for as Bunsen shows, Osiris was represented in Egypt as at once the son and husband of his mother; and actually bore, as one of his titles of dignity and honor, the name ‘‘Husband of the Mother.’’|| The Babylonian worship of the Great Mother spread throughout the known world. This Mother Goddess was known by different names, but the form of her religion has not transformed since antiquity...
Eggs have absolutely nothing to do with the resurrection of the Messiah (three days and three nights after He was placed in the grave),but the egg was a sacred symbol to the Babylonians. An egg of wondrous size fell from heaven into the Euphrates River; from this marvelous egg the Goddess Astarte (Easter) was hatched. From the land of Babylon, humanity was scattered to the various parts of the earth. These religious people took with them the symbol of the mystic sacred egg. Each pagan nation had its own representation of this wonder. The Greeks had their sacred egg of Heliopolis, and the Typhon’s Egg.
From The Two Babylons, by Hislop on page 109
From Egypt these sacred eggs can be distinctly traced to the banks of the Euphrates. The classic poets are full of the fable of the
mystic egg of the Babylonians; and thus its tale is told by Hyginus, the Egyptian, the learned keeper of the Palatine library at Rome, in the time of Augustus, who was skilled in all the wisdom of his native country: ‘‘An egg of wondrous size is said to have fallen from heaven into the river Euphrates. The fishes rolled it to the bank, where the doves having settled upon it, hatched it, and out came Venus, who afterwards was called the Syrian Goddess’’*—that is, Astarte. Hence the egg became one of the symbols of Astarte or Easter; and accordingly, in Cyprus, one of the chosen seats of the worship of Venus, or Astarte, the egg of wondrous size was represented on a grand scale. (See Fig. 32) § The Roman Catholic Church now has their own Official Representation of Ishtar—the Virgin Mother, who stands upon the top of this Sacred Egg of Heliopolis, with the Serpent Typhon at her feet.